San Francisco-based artist Amy M. Ho uses video projections and/or architectural manipulations to explore light and spatial relationships. Red Rooms is an immersive, hyper-artificial environment that envelops the viewer and transforms the sense of space by projected light and shadows. Red Rooms is a two-channel video projection that was created by the artist photographing two views of a miniature architectural model lit in two different ways – one from in front and another from behind. Providing the viewer a heightened sensory experience of space, architecture and the environment, Ho states “My work strives to make us actually feel the world around us.”

Ho received her MFA from Mills College and BA from University of California, Berkeley. Her work has been featured in solo and two-person exhibitions at Studio Kura in Itoshima, Japan; Asian Art Museum in San Francisco; Castle Information Centre in Cesky Krumlov, Czech Republic; Chandra Cerrito Contemporary in Oakland; and Et al. gallery in San Francisco. She has participated in artist residencies in the Czech Republic, Japan, and in the Bay Area at Lucid Foundation and Kala Art Institute. She is a recipient of the Herringer Family Foundation Prize for Excellence in Art, Phelan, Murphy, Cadogan Fellowship; the Jay DeFeo Fellowship; and the San Francisco Arts Commission Individual Artist Grant.

Amy Ho: Red Rooms is generously supported in part by the ICA Director’s Circle.

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The San Jose Institute of Contemporary Art will open an exhibition of prints by Kansas native and Bay Area-based multimedia artist Bruce Conner (1933-2008) on February 7, 2015. Spanning nearly 60 years of work, Bruce Conner: Somebody Else’s Prints is the first in-depth examination of his achievements as a printmaker in over a decade and features rarely seen examples from the Conner Family Trust and private collections.

A fixture in the San Francisco Beat-era art scene in the 1950s and 1960s, Conner was renowned for his groundbreaking work in assemblage, painting, sculpture, printmaking, and experimental film. The Wichita, Kansas native never worked with one medium for long, and infamously shifted personas, often attributing his artwork to celebrities, such as actor and friend Dennis Hopper, and fake personas alike.

Printmaking is one medium that spans Conner’s entire career. Bruce Conner: Somebody Else’s Prints will feature around 100 works, from the first etchings and lithographs the artist made while still a young student in Kansas in 1944 to his last inkjet prints made with Photoshop at Magnolia Editions, Oakland, California, in 2003.

All of his important series of prints will be featured: the work with Tamarind Lithography Workshop in the mid-1960s; a selection from his disorienting series of maze-like lithographs; and all three volumes of “The Dennis Hopper One Man Show,” a series of etchings based on engraving collages.

In addition, the exhibition will feature rare ephemera from the archives of the Conner Family Trust. For example, photographic slides (strikingly similar to the black and white lithographs that he started making in the 1960s) that Conner used when he was part of a group that performed experimental light shows for bands like Big Brother and the Holding Company and the Grateful Dead.

Organized by the Ulrich Museum at Wichita State University, the exhibition draws on a wealth of Conner material in the museum’s collection. The exhibition is curated by former Ulrich Museum Curator, Jodi Throckmorton, who stated, “I felt it was important to do an exhibition that focused on his works on paper—a barely examined part of his work that reveals much about his artistic practice.”

The ICA will host two talking art events that will feature in-depth discussions of Bruce Conner’s work and the cultural landscape that influenced him. The public is invited on Thursday, February 26 and Thursday, April 16 at 7pm. Admission is $5 for ICA Members; $10 for Non-Members; Free for Students.

Bruce Conner: Somebody Else’s Prints is organized by the Ulrich Museum of Art, Wichita State University.

The ICA presentation has been generously supported by Applied Materials Foundation, The Mercy and Roger Smullen Family Trust, John Green and Martin Fox, and members of the ICA Directors Circle.

The ICA gratefully acknowledges support from the Office of Cultural Affairs for the City of San Jose, Silicon Valley Creates, and from and the David and Lucile Packard Foundation. The ICA is also supported in part by the Applied Materials Foundation, and members of the ICA.

 

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